EDITION NO. I

FREE TO READ · PAID TO WEAR

ILLUSTRATED CATALOGUE OF LIMITED GARMENTS & CULTURAL CURIOSITIES

PUBLISHED AT IRREGULAR INTERVALS

EVERY DESIGN STRUCK ONCE & NEVER REPRINTED

POST PAID TO ALL STATES

From havana with love

IN PRESS THIS EDITION

We slice through the noise with eight sharp offerings, each designed to move the needle from “maybe” to “where have you been all my life?”


In 1855 the Reverend Charles Kingsley

looked upon the young women of England,

noted that they had abandoned novels for

the collection of ferns, and gave the affliction a

name. He called it Pteridomania. He meant it

glass cases — the Wardian sort — stood in

parlors like small green hostages.

We find this instructive. A nation can lose its

kindly. It did not help.

Within a decade, the fern had colonized the

entire visual field of the middle class. It was

pressed into glass, cast into iron, glazed onto

porcelain and carved onto headstones.

Dale Agua
from $31.50

A THICK CLOTH, AND NO APOLOGY FOR IT

The proprietors have long held that a shirt ought to have some substance to it, and that a garment one can read a newspaper through is not, properly speaking, a garment at all. This one cannot be read through.

It is a heavyweight unisex tee in 100% ring-spun cotton, garment-dyed — that is, dyed after it was made rather than before, so the colour settles into the cloth instead of sitting on top of it. The practical result is a shirt that arrives already softened, with the faint irregularity of something that has been somewhere. No two take the dye in quite the same way. We consider this a feature and decline to correct it.

Ring-spinning is the tedious part. The fibre is twisted and drawn out repeatedly until what remains is long, fine and smooth. It is slower and it costs more, which is why most shirts are not made this way, and why most shirts feel like most shirts.

Cut regular. It will sit agreeably with whatever you already own, which we assume is black.

  • 100% ring-spun cotton

  • Garment-dyed

  • Unisex, regular fit

I n 1855 the Reverend Charles Kingsley

looked upon the young women of England,

noted that they had abandoned novels for

the collection of ferns, and gave the affliction a

name. He called it Pteridomania. He meant it

glass cases — the Wardian sort — stood in

parlours like small green hostages.

We find this instructive. A nation can lose its

kindly. It did not help.

Within a decade the fern had colonised the

entire visual field of the middle class. It was

pressed into glass, cast into iron, glazed onto

porcelain and carved onto headstones.